Every translation is a challenge in itself, approached by the translator through methods they have learnt and strategies they have honed over the course of their career. However, translating humour is a distinct category of translation, not only because of the obligation to remain faithful to the source but also because of the need to elicit a smile from the reader, or in this case, the viewer. In an era of global connectivity and cross-cultural media transmission, there is an increasing demand for accurate and high-quality conveyance of all the nuances of stand-up comedy across linguistic and cultural boundaries. Various constraints unique to subtitling, such as character limits per line, reading speed, and the constraints of culture and language, do not make the translator's task any easier. Therefore, translators must exert additional effort in subtitle creation, be well-versed in translation strategies, and assess when each strategy is appropriate and how to convey the experience to the viewer as faithfully as possible. Although many translators do all of this quite intuitively, stand-up humour itself can be categorized, and based on these categories, the choice of translation techniques can be narrowed down. This master's thesis will analyse the translations of several Netflix stand-up specials from English to Croatian by explaining the joke's context, its cultural tone, the type of humour, and the translation method chosen by the translator to bring the joke closer to the viewer. The thesis will also assess the impact of the translator's choices on the humour and cultural significance of the stand-up performance.