Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay

Oklopčić, Biljana

prikaz prve stranice dokumenta Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay

Scientific paper - Original scientific paper

Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay

FLUMINENSIA : časopis za filološka istraživanja, 20 (2008), 1; 99-118. urn:nbn:hr:142:678847

Oklopčić, Biljana

Cite this document

APA 6th Edition

Oklopčić, B. (2008). Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay. FLUMINENSIA : časopis za filološka istraživanja, 20. (1), 99-118. Retrieved from https://urn.nsk.hr/urn:nbn:hr:142:678847

MLA 8th Edition

Oklopčić, Biljana. "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay." FLUMINENSIA : časopis za filološka istraživanja, vol. 20, no. 1, 2008, pp. 99-118. https://urn.nsk.hr/urn:nbn:hr:142:678847

Chicago 17th Edition

Oklopčić, Biljana. "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay." FLUMINENSIA : časopis za filološka istraživanja 20, no. 1 (2008): 99-118. https://urn.nsk.hr/urn:nbn:hr:142:678847

Harvard

Oklopčić, B. (2008) 'Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay', FLUMINENSIA : časopis za filološka istraživanja, 20(1), pp. 99-118. Available at: https://urn.nsk.hr/urn:nbn:hr:142:678847 (Accessed 04 December 2024)

Vancouver

Oklopčić B. Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay. FLUMINENSIA : časopis za filološka istraživanja [Internet]. 2008 October 06 [cited 2024 December 04];20(1):99-118. Available at: https://urn.nsk.hr/urn:nbn:hr:142:678847

IEEE

B. Oklopčić, "Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay", FLUMINENSIA : časopis za filološka istraživanja, vol. 20, no. 1, pp. 99-118, October 2008. [Online]. Available at: https://urn.nsk.hr/urn:nbn:hr:142:678847. [Accessed: 04 December 2024]

Cite this item: https://urn.nsk.hr/urn:nbn:hr:142:678847

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Metadata

Title (croatian)	Stereotipija u prikazu ženskoga lika u genealoškim ciklusima Williama Faulknera i Miroslava Krleže: Eula Varner Snopes i Charlotta Castelli-Glembay
Title (english)	Stereotypy in the Portrayal of Female Characters in Genealogical Cycles of William Faulkner and Miroslav Krleža : Eula Varner Snopes and Charlotta Castelli -Glembay
Author	Biljana Oklopčić https://orcid.org/0000-0001-9949-6293
Author's institution	Josip Juraj Strossmayer University of Osijek Faculty of Humanities and Social Sciences (Department of English Language and Literature)
Scientific / art field, discipline and subdiscipline	HUMANISTIC SCIENCES Philology Anglistics
Abstract (croatian)	Definirane kao genealogije, Faulknerova snopeska trilogija (The Hamlet, The Town, The Mansion) i Krležina glembajevska trilogija (Gospoda Glembajevi, U agoniji, Leda), zajedno s pripadajućim im pripovijetkama, novelama i romanima, dijele mnoštvo zajedničkih osobina. Jedna od njih je i stereotipija u prikazu ženskoga lika. Eula Varner Snopes kao posrnula južnjačka ljepotica i, kasnije, kao rehabilitirana južnjačka majka, te Charlotta Castelli-Glembay kao nietzscheanska žena-mačka i fatalna žena dokaz su stereotipije u prikazu ženskoga lika kao jedne od dominantnih osobina genealoškoga ciklusa kao književne (pod)vrste.
Abstract (english)	Defined as genealogies, Faulkner’s Snopes trilogy (The Hamlet, The Town, The Mansion) and Krleža’s Glembay trilogy (Gospoda Glembajevi, U agoniji, Leda), together with corresponding short stories and novels, share a whole array of common characteristics. One of them is the stereotypical characterization of women characters. This point of view is justified by the appearance of Eula Varner Snopes as the ravished Southern belle and the rehabilitated Dixie Madonna and Charlotta Castelli-Glembay as the Nietzschean cat woman and femme fatale.
Keywords (croatian)
Keywords (english)
Language	croatian
Publication type	Scientific paper - Original scientific paper
Publication status	Published
Peer review	Peer review - domestic
Publication version	Published version
Journal title	FLUMINENSIA : časopis za filološka istraživanja
Numbering	vol. 20, no. 1, pp. 99-118
p-ISSN	0353-4642
e-ISSN	1848-9680
URN:NBN	urn:nbn:hr:142:678847
Publication	2008-10-06
Document URL	http://hrcak.srce.hr/27258
Type of resource	Text
Access conditions	Open access
Terms of use
Created on	2017-09-15 10:11:40