This thesis focuses on subtitling as a method of audiovisual translation in regard to documentary as a mode of cinema. The audiovisual translation has increasingly been getting more attention. While scholars are at last doing more research in the AVT field of Translation Studies, there has also never been a greater demand for audiovisual content, and therefore, its translation. Subtitling is the most prominent method of audiovisual translation, but like the rest of the methods, it has its pros and cons. There are various characteristics and constraints of subtitling to be considered and respected. Moreover, the type of audiovisual program that is being subtitled has an effect on both of those elements of subtitling. Documentary is a specific cinema mode with distinct traits and elements to be considered while subtitling. A case study presented in this thesis is based on the translation and subtitling process of a feature-length documentary film She’s Beautiful When She’s Angry, which deals with the rise of the women’s liberation movement in the second half of the sixties. It is an interview-based documentary, which calls for specific considerations during the decision-making process in translation and subtitling. The aim of this thesis is to explore if it is possible to render all crucial information presented in a documentary while simultaneously retaining the participants’ individual expression in presenting that information. Does the individuality of participants and their passion for a particular matter have to be sacrificed in order to correctly and adequately subtitle a documentary?