The problem of the sublime arose in contemporary aesthetics, in an age in which humanity found itself in a fragmented reality, which places man in indeterminacy. In modern and postmodern times, man begins to alienate himself from nature, both because of technological progress and because of the loss of meta-narratives. There has been a loss of the sublime and a loss of aura in works of art. The state in which the sublime cannot be experienced is a state of distraction and constant anxiety and openness to risk, because the sublime is what sustains man's morals, both on an individual and a global level. Mass media, popular culture and a wide range of available information have expanded the possibilities of aesthetic judgment because they remove the safe distance and put the individual in a direct relationship with worldly crises. Art is no longer limited to what is considered traditional art, but is now mostly based in the digital sphere and is thus influenced by various cultures and in a space of undefined possibilities. This is why contemporary aesthetics has erased the boundaries between high and commercial art. Thus, contemporary aesthetics is brought into a problem in which the sublime is needed more than ever, while at the same time man is alienated from the only thing that was traditionally considered as the basis for the realization of the sublime, from nature. It is necessary to appreciate the dualism of nature and technology and to be aware of their symbiotic importance so that the aesthetic judgment can safely rely on the common sense of humanity and restore a true sense of the sublime that will once again be able to raise morale